I SELL THE DEAD Dir. Glenn McQuaid (2008 85 min, 2.35:1) Dominic Monaghan, Ron Perlman, Larry Fessenden
19th century justice has finally caught up to grave robbers Arthur Blake and Willie Grimes. The colorful and peculiar history of Grimes and Blake is one filled with adventure, horror, and vicious rivalries that threaten to put all involved in the very graves they’re trying to pilfer. Never Trust A Corpse.
“WINNER!Best Independent Feature” —TORONTO AFTER DARK 2008
“WINNER!Special Jury Mention – Best Performance – Larry Fessenden” —SLAMDANCE FILM FESTIVAL 2008
“WINNER! Best Cinematography – Richard Lopez” —SLAMDANCE FILM FESTIVAL 2008
“McQuaid never lets go of the deadpan Gaelic wit that makes the film so effortlessly enjoyable.” —Chris Barsanti, HOLLYWOOD REPORTER
“Fright Night, With Thrills From Six Feet Under” —Manohla Dargis, NEW YORK TIMES
The Innkeepers dir. Ti West (2010 101 min, super 35, 2.35) Sara Paxton, Pat Healy, Kelly McGillis, Lena Dunham
After over one hundred years of service, The Yankee Pedlar Inn is shutting its doors for good. The last remaining employees -Claire (Sara Paxton) and Luke (Pat Healy) – are determined to uncover proof of what many believe to be one of New England’s most haunted hotels.
“Ti West, the 34-year-old writer-director of The Innkeepers, has spent the past several years steadily toiling his way through the ranks of horror filmmaking” —Nick Pinkerton THE VILLAGE VOICE
Dir Jim Mickle (2010 98 min, red one, 2.35) Connor Paolo, Nick Damici, and Kelly McGillis
Martin (Connor Paolo) was a normal teenage boy before the country collapsed in an empty pit of economic and political disaster. A vampire epidemic has swept across what is left of the nation’s abandoned towns and cities, and it’s up to Mister (Nick Damici), a death dealing, rogue vampire hunter, to get Martin safely north to Canada, the continent’s New Eden.
New York Times critics’ pick —Jeannette Catsoulis NEW YORK TIMES
The American Horror Film of the Year —Todd Brown TWITCH FILM
The Mayhem is beautifully composed. The Performances are terrific. —THE NEW YORKER
Harrowing! Puts vampires back where they belong — in your nightmares, and at your throat!Rex Reed —-—NEW YORK OBSERVER
An ambitious hybrid, grafting the ethereal, landscape-driven, light-infused beauty and naïf narration associated with Terrence Malick onto a tale in which struggle against supernatural forces is just one challenge of coming of age—a trope that … hasn’t had such a sense of balance between the fantastic and the organic since the heyday of Joss Whedon … thick with a distinct mood—the sadness and exhilaration of having nothing left to lose—and the characters, in their desperation and drive, feel real. Fessenden may be producing the best brains-before-blood horror in North America today. —Karina Longworth THE VILLAGE VOICE
6PM I CAN SEE YOU Dir. Graham Reznick. (2008 97 mins, hvx) Cast: Ben Dickinson, Duncan Skiles, Christopher Paul Ford, Heather Robb, Olivia Villanti, Larry Fessenden
Three aspiring ad-men take a weekend in the wilderness, brainstorming for their first assignment: to overhaul the image of a once popular cleaning product, Claractix. While in the woods, a girlfriend’s mysterious disappearance sparks a harrowing descent into unreality.
“I CAN SEE YOU heralds a splendid new filmmaker with one eye on genre mechanics, one eye on avant-garde conceits and a third eye for transcendental weirdness.” —The New York Times
“Without a doubt one of the most intriguing and well-crafted low-budget horror films in recent memory.”—Fangoria
“Ultimately opting for Brakhage over butchery, by turning vision itself into a mind-frying source of anxiety.” —Village Voice
8PM AUTOMATONS James Felix McKenney (2006 83 min, B&W) Christine Spencer, Angus Scrimm, Brenda Cooney
Somewhere in the distant future, The Girl is alone. She is the last of her people, the others having died in a generations-long war that the girl continues to fight with the assistance of a group of antiquated robot helpers and soldiers.
“Robot radness achieved! Budgets are for bitches.” —Nathan Lee The Village Voice “Mr. McKenney’s claustrophobic technique becomes his way not only of accommodatinghis small budget, but of evoking the film’s themes of isolation and denial.” —S. James Snyder The NY Sun
“If you’re into retro tech, or just retro sci-fi, or damn good MiSTie fodder, then you’re going to love Automatons.” —Steve Anderson Film Threat
10PM Satan Hates You Dir. James Felix McKenney (2011 94 min, hvx, 1.78) Don Wood, Larry Fessenden, Christine Spencer, Angus Scrimm, Reggie Bannister, Michael Berryman
We follow Marc (Don Wood) a homicidal maniac driven by demons buried deep within his soul, and Wendy (Christine Spencer) Marc’s polar opposite who lives life fast and hard without a second’s thought to the consequences. Their separate paths will eventually cross, but will it be on the road to salvation or the highway to hell?
“works as a sneakily sincere re-imagining of Christian scare tactics as a punch-drunk passion play for wayward hedonists” —Simon Abrams
From Paradise Factory: Fan favorite Larry Fessenden returns to Paradise Factory to celebrate 40 years of Glass Eye Pix with an all night horror movie marathon bound to leave your skin crawling.
Glass Eye Pix, the independent film shingle responsible for The Roost, The House Of The Devil, Wendigo, The Last Winter, Habit and countless others, is celebrating its 40th anniversary at the IFC Center starting October 28th. The night before, join us at Paradise Factory to kick off the celebration with an evening celebrating Glass Eye Pix’ grindhouse scareflix brand.
The Nov 7th Glass Eye Pix Palooza-Con will offer many new releases including a brand new 88 pg comic book from Glass Eye Comix and We’re Wolf Films: THE DAMNED AND THE DANGEROUS written by Glenn McQuaid and Ted Geoghegan Artwork and lettering by Brahm Revel.
Glass Eye Pix is the fierce independent NYC-based production outfit headed by award-winning art-horror auteur Larry Fessenden with the mission of supporting individual voices in the arts. Read more...
